Music
The Hebrew Center in Vineyard Haven is about to rock. True, the center has been rocking intellectually, spiritually and culturally all summer long with their varied programming, but next weekend they will literally rock. The lineup includes Joshua Nelson and his Kosher Gospel Singers with special guest, Lisa Gutkin.
Danny “Kootch” Kortchmar got his start playing in bands such as the Kingbees and the Flying Machine. There was another skinny, long-haired fellow in Flying Machine named James Taylor who, at the time, was like Danny — just another Vineyard summer dink with a guitar and a melodic voice. Kootch and JT, the early incarnation of the Chilmark Potluck Jam.
The Pit Stop is located inside an inconspicuous garage across the street from Tony’s Market in Oak Bluffs and is hard to find even when you’re looking right at it. A small marquee out front advertises the night’s musical entertainment and a white hand-painted sign directs visitors around an old trailer to the entrance at the back of the building.
This Monday, August 6, will bring an unlikely visitor to the Island, a Dodd harpsichord. It’s not a total stranger to the Island, but Chamber Music Society artistic director Dee Stevens estimates that it’s been 20 years since it’s been heard here. This Monday and Tuesday, Ms. Stevens will play the rare instrument in a chamber music concert featuring the music of Johann Sebastian Bach and his sons.
After graduating from Whittier College in the 1960s, Guy Webster decided to join the army reserves for a six-month stint rather than go to Viet Nam. For the first three months he purchased, shipped and decorated Christmas trees. For the second half he taught photography, even though he had never even held a camera before that moment.
“I had never taken a photograph in my life,” remembered Mr. Webster. It wasn’t until his last month in the reserves that he shot his first roll of film. That was all it took to get him hooked.
When Peter Asher first heard Kate Taylor sing, he was instantly impressed. “I loved the texture of her voice and her phrasing, so I said, let’s make a record.”
Not one for idle chatter, Mr. Asher then produced her first record, Sister Kate. The year was 1971.
“She was even more of a soul singer devotee than James [Taylor] was,” Mr. Asher remembered. “He took after Sam Cooke and Ray Charles, but Kate was rocking out and blues-ing out much more overtly. I loved that she was a white soul singer.”