Arts & Entertainment
A retrospective exhibition of watercolor works by well-traveled West Tisbury artist Ann Howes opens tomorrow at Featherstone Center for the Arts, including pieces from her past painting trips abroad, across the United States and the Island. í
Paul Currier, owner of the Café Moxie building destroyed when a fire broke out there on the Fourth of July, plans to apply today for a permit to rebuild the Main street, Vineyard Haven restaurant, with the backing of Mike Ryan of Island Woodworks.
“I would love nothing better than [for the new Cafe Moxie] to be open for the Fourth of July next year,” Mr. Currier said.
In this serialized year-long novel set on the Vineyard in real time, a native Islander (“Call me Becca”) returns home after two decades to help her eccentric Uncle Abe keep his landscaping business, Pequot, afloat. Abe has a paranoid hatred of Richard Moby, the CEO of an off-Island wholesale nursery, Broadway. Convinced that Moby wants to destroy Abe personally, and all Island-based landscaping/nursery businesses generally, Abe is obsessed with “taking down” Moby. Abe has rented a fishing boat for the Derby, knowing that Moby is also fishing.
The New York art scene is the setting for Saturday night’s film, Guest of Cindy Sherman, screening at 7:30 p.m. at the Katharine Cornell Theatre in Vineyard Haven.
This feature documentary (88 minutes) is directed by Paul H-O and Tom Donahue.
Outerland, the Island’s only nightclub, is up for sale. Aboveground Records and Offshore Ale have cut back on their performances. The Oyster Bar’s entertainment license was revoked this summer. The Wintertide is gone. The old Atlantic Connection is now an amusement arcade.
Is it that hard to put on a little music?
Well, clearly Vineyard music promotion is a tough racket, but the pervading sentiment of those working in music on the Island is that it can be done.
There are landmarks in an artist’s career. First there’s the initial sale of a piece of work. Then comes inclusion in a group show and, with any luck (and, of course, talent), the solo show. But the crowning glory arrives — often, alas, posthumously — when the artist’s work is presented in the hallowed halls of a museum.
