Tuesdays at Twilight winds down with a concert featuring Sally and Ben Taylor and friends at the Grange Hall on State Road in West Tisbury on Tuesday, August 27. The concert marks the end of the series, which benefits the West Tisbury Library Foundation. The foundation is raising funds for the capital campaign for the West Tisbury Library.
It don’t mean a thing if it ain’t got that swing. That was just one of the lessons imparted by Pulitzer Prize–winning jazz trumpeter and composer Wynton Marsalis during Friday’s Jazz for Young People program, held at the regional high school Performing Arts Center.
Forty years ago Dr. Karl Skoreki trained in nephrology in the Roxbury neighborhood of Boston. During his time there, he noticed that many members of the same family were contracting kidney disease, a condition that was poorly understood at the time. During his career Dr. Skorecki continued to study genetic predisposition to the disease. He and other researchers have since determined that the illness, which can devolve into kidney failure, disproportionately affects African Americans, who are four to five times more likely to contract the disease and to die from its effects.
Livingston Taylor concerts are many things, all of them wonderful, but most they are events that break down the barriers between performer and listener. As he said in a past interview with the Gazette, the audience is the boss.
“You need them, they don’t need you,” he admitted, giving some insight into both his humility on stage and his appreciation. He says a show should feel more like a conversation with the audience.
Willy Mason is sitting on a barstool in a London pub, smoking a cigarette and considering the last decade. He takes a pull on his beer and thinks about what all the buzz — tours with Radiohead, collaborations with the Chemical Brothers and duets with KT Tunstall and Rosanne Cash — has really meant to the young bard now closing in on 30.
A heavy Latin beat echoes through the woods in Vineyard Haven. On the top floor of a garage a young man hunches over his flashing DJ controller. Colorful waveforms trawl across a computer screen and two powerful speakers fill the room with bone-shaking bass drum and silky smooth melodies. The musical tension builds and in a flurry of knob-twisting and button-smashing, 23-year-old Vaughn Russillo once again becomes DJ Euphony.
Mr. Russillo grew up on the Vineyard and got his start making hip hop beats with a pair of turntables and an extensive collection of vinyl records.
