Holly Nadler

A Room of Their Own, Vineyard Retreats Helps Writers Develop

They come from all over the country, staying for one or two weeks or up to a full month. They explore Edgartown from their home base at the former Point Way Inn. Some of them work in their rooms, others find a nesting spot in one of the many elegant downstairs parlors. For dinner they might bring home scallops from the Net Result, ingredients for a pasta Siciliana, and share the meal pot-luck style in the formal dining room, which is two stories high and lit up like a stage set.

 

 

 

Taffy McCarthy is solitary on stage in the literal whole-nine-yards of white satin bridal paraphernalia; the gown is too long for her customary hopping and bopping.

In this Island Theatre Workshop (ITW) rehearsal of the first of five short original plays — banded together under the title Pick of the Crop — Ms. McCarthy portrays a hill country bride-to-be called Sis. The monologue, One Last Look, was written by the actor herself.

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Eating chocolate is often compared to generating the swoony feelings of being in love, but true chocolate aficionados deny this. Chocolate is better, they maintain. Stronger. The passions it generates are far more urgent.

Consider this: You stand before a candy store case of chocolates, and the array overwhelms you. Chocolate-covered marshmallows, chocolate-covered almonds, fruits, buttercream, caramel. You brace both hands against the counter, you sigh, you wish you could order one of everything, but that would turn your stomach into an exploded Bunsen burner.

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BACKING INTO FORWARD. By Jules Feiffer. Nan. A. Talese / Doubleday, 2010. 464 pages, photographs. $30 hardcover.

Jules Feiffer is one of our icons in the hall of fame that includes Mike Wallace, Beverly Sills, Bill Styron and Walter Cronkite. Island icons are colossi in the big wide world, and brand-makers of the Vineyard as a place that harbors the rich and famous and give-backers to the community. The billionaires who build bulgy houses come and go.

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We few, we band of brothers and sisters, all six billion of us on planet earth, have identified the problem and we’ve identified the solution. We’re all in agreement about who is what. Even those who are classified as the problem know they’re the problem. And yet they continue to charge around like the bulls of Pamplona. I’m talking, of course, about drivers of cars.

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Twinkling Ingmar Bergmanesque lights sparkled in the spooky, dark woods of Chilmark. A big bowl of baby tomatoes sat on an outdoor table. Inside the anterior barn space at the Yard, the makeshift stage was adorned with microphones, drums and a hand-waving papier-mâché R2-D2. It seemed everyone and everything was welcome at the Satsang Lounge.

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By HOLLY NADLER

Perhaps the most fruitful painters’ retreat occurred in the fall of 1888 when Vincent van Gogh invited Paul Gauguin to join him in Arles. Gauguin brought a bale of jute which the two artists cut into canvases. The rough-hewn quality of the jute changed the brushstrokes of both the painters and the unique Arles light lives on in their masterworks from that period.

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