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In the Studio With Bookbinder Mitzi Pratt

Mitzi Pratt inside her Aquinnah studio.
Jeanna Shepard
Mitzi Pratt inside her Aquinnah studio.
Jeanna Shepard
Materials vary from leather to suede to wasp nest.
Jeanna Shepard
Materials vary from leather to suede to wasp nest.
Jeanna Shepard
Everything begins as a stack of paper.
Jeanna Shepard
Everything begins as a stack of paper.
Jeanna Shepard
Ms. Pratt has studios in both Aquinnah and Brooklyn.
Jeanna Shepard
Ms. Pratt has studios in both Aquinnah and Brooklyn.
Jeanna Shepard
The artist has worked as a bookbinder since the 1970s.
Jeanna Shepard
The artist has worked as a bookbinder since the 1970s.
Jeanna Shepard
The work keeps Ms. Pratt's arms in good shape.
Jeanna Shepard
The work keeps Ms. Pratt's arms in good shape.
Jeanna Shepard
Things get squeezed into place.
Jeanna Shepard
Things get squeezed into place.
Jeanna Shepard
The finished product with a cover fashioned from a wasp nest.
Jeanna Shepard
The finished product with a cover fashioned from a wasp nest.
Jeanna Shepard

On any given afternoon, one of three sounds can be heard coming from Mitzi Pratt’s Aquinnah bookbinding studio: the dull squeak of a 19th century press, sheers clipping through paper, or the piercing bang of a weighty backing hammer. While two may seem more tranquil than the other, Ms. Pratt describes all aspects of her work as meditative.

While the books, journals and sketchpads Mitzi Pratt creates vary in their final forms, they begin, homogeneously, as a stack of paper. 



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